Unveiling the Music of “Black Myth: Wukong”
In the public soundtrack of “Black Myth: Wukong,” not only did it obtain the official authorization of the 86th edition of the “Journey to the West” prelude “Cloud Palace Eaves Music” composed by Professor Xu Jingqing, which is considered as one of the earliest electronic music pieces in China, the original composition based on the seven-note Qing music scale was reinterpreted with modern arrangements. Additionally, there are also tracks like “Mantra for the Departed,”
“Claiming Kingship and Sainthood with Unrestrained Freedom,” and “Internet Addiction Detox.” These songs deeply excavate traditional Chinese culture while integrating modern performance concepts and incorporating a large number of Chinese-style elements, presenting a grand and enigmatic world of the Journey to the West.
“Mantra for the Departed” is one of the ten daily recitations in Buddhism, and its complete text contains profound cultural connotations such as “proclaiming (nectar) throughout the void, able to accomplish perfection,” with the ability to transcend spirits and purify the soul. In the game, this scripture is presented through modern music techniques, preserving its original cultural significance while making it more vivid and interesting.
As the opening theme song of “Black Myth: Wukong,” “Claiming Kingship and Sainthood with Unrestrained Freedom” is rich in depth and creativity in its musical design. The song extensively utilizes traditional Chinese instruments such as the guzheng, pipa, and flute. These instruments, with their unique tones and expressiveness, add a strong flavor of classical Chinese music to the song. The clear and melodious sound of the guzheng, the bright expressiveness of the pipa, and the crisp and ethereal sound of the flute collectively create a classical yet passionate musical atmosphere.
Furthermore, in addition to traditional instruments, special sound effects such as Shaanxi storytelling and Buddhist chanting are also incorporated, enriching the song’s expressiveness and cultural connotations.
Shaanxi storytelling is a traditional form of folk art originating from northern Shaanxi province in China, where initially impoverished blind individuals used local folk tunes to sing legendary stories. Over time, it gradually incorporated melodies from other traditional Chinese opera forms, evolving into a narrative performance style.
In conclusion, “Black Myth: Wukong” not only showcases an immersive gaming experience but also presents a musical journey that intertwines traditional Chinese culture with modern creativity, making it a truly captivating and culturally rich gaming masterpiece.